That’s what my husband and I exclaim when our daughter calls on the telephone.
“It’s the daughta!” To which she replies “It’s the madda!” or “It’s the fadda!” Inside joke. And one which has us grinning like cheshire cats and laughing like madhatters.
What’s she been up to these days, for those of you wondering since our daughter left ballet for contemporary dance?
Well, her recent performance in Houston Grand Opera‘s AIDA went splendidly.
Our daughter was the dance lead which placed her front and center in Dominic Walsh‘s choreography. She was also honored to be only one of two dancers featured in the show’s glossy program, alongside the several, notable opera singers from around the world. The other dancer was the male lead.
Not one to be put off by funky costumes, our daughter relished her role as the Ethiopian witch doctor who battles the Egyptian warrior intent upon enslaving her people for his pharoah. I applauded her wild, frenetic moves in battling with her armed opponent.
I imagined our daughter following in the footsteps of her great aunt, my mom’s eldest sister, a kahuna…a native Hawaiian witch doctor. I never saw my aunt “in action,” although I’m sure she was just as formidable.
When not the wild and wooly witch doctor, our daughter joined the other female dancers as high priestesses and slave girls. Years of training and performing ballet continue to shine through our daughter’s seemingly effortless moves. Her solid foundation in technique will serve her well no matter where she lands in the dance world.
On the final day of the show the dancers were invited to audition for the opera’s spring engagement of CARMEN. The entire NYC production will take up residency for a month-and-a-half. Houston’s opera was asked to provide one male and one female dancer to “cover” or understudy the dancers being imported from the Big Apple.
As she sat on a plane leaving Houston bound for Pittsburgh and her next gig, our daughter was notified by email that she was chosen for CARMEN. Talk about an ego booster!
While performing great roles is of course a dream come true, for our daughter the process is equally as important.
Working with artists from whom she can learn and grow, and sharing in the camaraderie of fellow dancers with varied backgrounds and experiences is something our daughter relishes. She does not like to stagnate…as a dancer or as a person.
As she charts this the next course in her dance career, networking is absolutely vital. Hence working with the movers and shakers from the New York production staff of CARMEN will put our daughter in touch with folks she might not otherwise have gotten to meet. Already she was excited to work with the woman who put the dancers through their paces as she auditioned them for the opera. Our daughter looks forward to working with her again, as well as the director and his assistant who did not make it to Houston for the audition.
And here’s the thing. Dancers in operas CAN make more money than ballet dancers. For CARMEN our daughter’s salary will be nearly double what she made with the ballet company. After being with them for 6 years, mind you! I’m certain even some of the principals don’t make as much as she’ll be making.
But then, of course, there’s the flip side to every coin. And that’s the fact that our daughter must pay her own way…from housing to health insurance…and everything in between. So life isn’t always…a bed of roses.
Nonetheless, our daughter is thrilled to be the one picking and choosing which roses she’d like to smell as she wanders down life’s path. And as far as we’re concerned, hubby and me…
…our daughter is the most beautiful and fragrant of roses…